By Eric Morris
A enjoyable and intriguing workbook for actors to take advantage of in setting up an everyday paintings time table. Designed to assist the actor combine the 2 components of the method, THE tool AND THE CRAFT. which supplies spontaneity, measurement, and authenticity to his functionality. the various day-by-day workouts take care of each element of performing together with the actor's dating to the company. clean pages give you the actor with area to record his or her personal involvement and growth. Being a workbook, each web page is full of an everyday project and instructions to training the workouts and making use of them to dramatic fabric. a number of pictures depict a few recognizable actors fascinated with the paintings approach. this is often the second one ebook by means of Eric Morris that chronicles his approach of appearing. it's a remarkable better half to "NO appearing PLEASE" because it keeps the place that ebook ends.
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Extra info for Being and Doing: A Workbook for Actors
I WOULD GIVE MY EYETEETH”: Used to describe something Maggie really wants. ” “NEVER CARRY A BALANCE”: Great financial wisdom that has kept her flush all these years, and has obviously gone unheeded by millions of people. “DID YOU SEE THE ONE . . ”: Used to describe a person, show, book, or movie that Maggie can’t recall the name of at the moment. “TOUGH AS NAILS”: Judge Judy, who else? “DREGS OF SOCIETY”: Avoid these people at all costs, they will only drag you down. ”: An expression of momentary surprise, not a grave, near-fatal medical condition requiring life-saving techniques.
My daughter Kathleen put out her memoir last year, Official Book Club Selection, which was real nice except for the controversial parts. But now I have a book. It’s my turn, Kathy. I have some things to say, too, without having to be all controversial like you were. I have things to say about you. About me. About you about me. About where I came from. About the way the world has changed. About being a mom. About Hollywood. About wine. About my gays. About my dear departed husband, John Patrick Griffin.
I was safe. I realized that doing something like that wasn’t for me. But did I brag about it the next day at school? Maybe! ” [It sounds like you’re talking about your gay son, Mom . . ] As a mother, you just don’t know at that stage what’s in store for your child. ”] Johnny and I never took Kathy to acting lessons or singing lessons. Never even thought of it. Not that we didn’t enjoy her performing for us at home. ”] But the idea that she’d be onstage doing it for a living was beyond our thinking.
Being and Doing: A Workbook for Actors by Eric Morris